- REVIEW METAL GEAR SOLID V THE PHANTOM PAIN HOW TO
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The Phantom Pain doesn't tell you how to approach any of the tasks at hand, but points you in the right direction and lets you work it out for yourself, you choose which weapons to take along, what time of day to go in, where to approach from. Side-ops vary greatly from locating and extracting highly skilled soldiers, rescuing prisoners, and clearing minefields to less military styled objectives like extracting endangered wildlife from the area. Side-ops on the other hand are optional missions that can be completed while free-roaming the open world, or during missions as long as they both take place in the mission's hot zone. As you would expect, main missions are what progress the story. The game is split between main missions and side-ops.
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Essentially you're given free reign to explore the area, searching places of interest for hidden resources or staff members.
Once you are set free to explore the Afghan wilds you realise exactly how much freedom you have been given. This helps to not break up the pace too much and keeps the player's attention squarely focused on where The Phantom Pain truly shines spectacularly, the gameplay.ĭ-Horse makes the traversing the terrain a less daunting task Cut-scenes are at a much more manageable length and no longer require you to have a bladder made of steel, and codec calls are replaced by cassette recordings that can be listened to whenever you feel ready, or, while not recommended if you actually want to know what’s going on, avoided completely.
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Whereas previous games in the series would bombard the player with long, drawn out cut-scenes and unavoidable codec calls, The Phantom Pain takes a more hands-off approach to storytelling. This opening hour or so is truly spectacular though, unfortunately, the story from this point on isn't delivered in such a bombastic way. From here, Big Boss' tale of rebuilding everything he has lost and taking his revenge on those that took everything from him begins.
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After a protracted introduction that presents more questions than answers, we finally get to take control of our protagonist through a highly scripted escape sequence that is full of intense moments and explosions which helps to cement the basic gameplay mechanics in your mind as well as establishing an overall mood for the rest of the game. Originality, gender equality, and suspension of disbelief are far from MGS5’s strengths, then, but it remains a fun, silly and entertaining romp.The Phantom Pain opens in true Kojima fashion, following the conclusion to last year's prologue Metal Gear Solid V: Ground Zeroes Achievements, Big Boss (Naked Snake, Venom Snake, or whichever of his many monikers you want to call him by) wakes from a coma to be told he's been out of action for nine years and suffered injuries that would have killed any normal person. It’s undeniably silly, its cocktail of Black Hawk Down and Transformers definitely isn’t for everyone, and its principal female character is a bikini-babe mute, which is problematic to say the least. It’s akin to someone handing you an apple and saying ‘eat it any way you like’ only for you to discover that it’s already been chopped into slices that you might as well eat one by one.Īnd there’s loads of padding: an HQ to be managed, teams of soldiers to be sent on mini missions, and more upgrades to be unlocked than there are fish in the sea.Īnd yet somehow it still works. Its open world, for instance, just isn’t ‘alive’ as The Witcher 3’s is, and as each mission encourages you to drop down in a chopper and then lift off in a chopper at the end essentially breaks the world into mission segments. It’s around the edges where The Phantom Pain sometimes misses the mark.
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